<?xml version='1.0' encoding='UTF-8'?><?xml-stylesheet href="http://www.blogger.com/styles/atom.css" type="text/css"?><feed xmlns='http://www.w3.org/2005/Atom' xmlns:openSearch='http://a9.com/-/spec/opensearchrss/1.0/' xmlns:georss='http://www.georss.org/georss' xmlns:gd='http://schemas.google.com/g/2005' xmlns:thr='http://purl.org/syndication/thread/1.0'><id>tag:blogger.com,1999:blog-26283125</id><updated>2011-07-28T13:30:39.135-07:00</updated><title type='text'>Futurisms Seminar 2009</title><subtitle type='html'>In honor of the centenary of the publication of Filippo Tommaso Marinetti's founding manifesto of futurism, the seminars documented on this blog will examine the movement's history and impact.</subtitle><link rel='http://schemas.google.com/g/2005#feed' type='application/atom+xml' href='http://futurismseminar.blogspot.com/feeds/posts/default'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/26283125/posts/default?max-results=100'/><link rel='alternate' type='text/html' href='http://futurismseminar.blogspot.com/'/><link rel='hub' href='http://pubsubhubbub.appspot.com/'/><author><name>Jeffrey Schnapp</name><uri>http://www.blogger.com/profile/13603298629039648810</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><generator version='7.00' uri='http://www.blogger.com'>Blogger</generator><openSearch:totalResults>7</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>100</openSearch:itemsPerPage><entry><id>tag:blogger.com,1999:blog-26283125.post-7473500007586260721</id><published>2009-09-08T17:45:00.000-07:00</published><updated>2009-09-08T17:47:17.189-07:00</updated><title type='text'>Fall 2009 Harvard Futurisms seminar</title><content type='html'>Greetings all, here are the first four weeks of the seminar, as per the syllabus, but with the links active:&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in;"&gt;&lt;b&gt;&lt;i&gt;&lt;span style="font-size: 10pt;"&gt;1 – &lt;span style="color: red;"&gt;sept. 2&lt;/span&gt;&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;b&gt;&lt;span style="font-size: 10pt;"&gt; -&lt;/span&gt;&lt;/b&gt;&lt;span style="font-size: 10pt;"&gt; introduction: futurism and the avant-gardes&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: small;"&gt;&lt;span class="Apple-style-span" style="font-size: 13px;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in;"&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in;"&gt;&lt;b&gt;&lt;i&gt;&lt;span style="font-size: 10pt;"&gt;2 – &lt;span style="color: red;"&gt;sept. 14&lt;/span&gt; &lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;b&gt;&lt;span style="font-size: 10pt;"&gt;– &lt;/span&gt;&lt;/b&gt;&lt;span style="font-size: 10pt;"&gt;the art of the &lt;/span&gt;&lt;span style="font-size: 10pt;"&gt;manifesto I&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in;"&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; margin-left: .5in; margin-right: 0in; margin-top: 0in;"&gt;&lt;span style="font-size: small;"&gt;&lt;span class="Apple-style-span" style="font-size: 13px;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Wingdings; font-size: 10pt;"&gt;­&lt;/span&gt;&lt;span style="font-size: 10pt;"&gt;Marjorie Perloff, “Violence and Precision,” pp. 81-114 in &lt;i style="mso-bidi-font-style: normal;"&gt;The Futurist Moment&lt;/i&gt;. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; margin-left: .5in; margin-right: 0in; margin-top: 0in;"&gt;&lt;span style="font-family: Wingdings; font-size: 10pt;"&gt;­&lt;/span&gt;&lt;span style="font-size: 10pt;"&gt; Martin Puchner, &lt;i style="mso-bidi-font-style: normal;"&gt;Poetry of the Revolution: Marx, Manifestos, and the Avant-Gardes&lt;/i&gt;, (Princeton: Princeton U Press, 2005), pp. 1-32, 69-106.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; margin-left: .5in; margin-right: 0in; margin-top: 0in; text-autospace: none;"&gt;&lt;span style="font-family: Wingdings; font-size: 10pt;"&gt;­&lt;/span&gt;&lt;span style="font-size: 10pt;"&gt; Karl Marx and Friedrich Engels, “Communist Manifesto” available at &lt;a href="http://www.marxists.org/archive/marx/works/1848/communist-manifesto/"&gt;http://www.marxists.org/archive/marx/works/1848/communist-manifesto/&lt;/a&gt; &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; margin-left: .5in; margin-right: 0in; margin-top: 0in;"&gt;&lt;span style="font-family: Wingdings; font-size: 10pt;"&gt;­&lt;/span&gt;&lt;span style="font-size: 10pt;"&gt; Jean Moreas, “Le Symbolisme” &lt;i&gt;[1886]&lt;/i&gt;; the French original is available at &lt;/span&gt;&lt;span style="font-size: 10pt;"&gt;&lt;a href="http://www.berlol.net/chrono/chr1886a.htm"&gt;http://www.berlol.net/chrono/chr1886a.htm&lt;/a&gt; (English copy at end of syllabus)&lt;/span&gt;&lt;span style="font-size: 10pt;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; margin-left: .5in; margin-right: 0in; margin-top: 0in;"&gt;&lt;span style="font-family: Wingdings; font-size: 10pt;"&gt;­&lt;/span&gt;&lt;span style="font-size: 10pt;"&gt; F. T. Marinetti, "The Founding and Manifesto of Futurism” &lt;i style="mso-bidi-font-style: normal;"&gt;[1909], “&lt;/i&gt;Against Passéist Venice" &lt;i&gt;[1910]&lt;/i&gt;, "Futurist Synthesis of War" &lt;i&gt;[1914]&lt;/i&gt;, "Selections from &lt;i style="mso-bidi-font-style: normal;"&gt;Le Futurisme&lt;/i&gt;" &lt;i&gt;[1911-1915]&lt;/i&gt;, “The New Religion-Morality of Speed” &lt;i&gt;[1916]&lt;/i&gt;&lt;i style="mso-bidi-font-style: normal;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; margin-left: .5in; margin-right: 0in; margin-top: 0in;"&gt;&lt;span style="font-family: Wingdings; font-size: 10pt;"&gt;­&lt;/span&gt;&lt;span style="font-size: 10pt;"&gt; D. Burliuk, V. Mayakovsky, et al., "Slap in the Face of Public Taste" &lt;i&gt;[1912]&lt;/i&gt;, in Lawton and Eagle, or available at &lt;a href="http://www.unknown.nu/futurism/"&gt;http://www.unknown.nu/futurism/&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; margin-left: .5in; margin-right: 0in; margin-top: 0in;"&gt;&lt;span style="font-family: Wingdings; font-size: 10pt;"&gt;­&lt;/span&gt;&lt;span style="font-size: 10pt;"&gt;Guillaume Apollinaire, “Futurist Anti-Tradition” &lt;i style="mso-bidi-font-style: normal;"&gt;[1913]&lt;/i&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in;"&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in;"&gt;&lt;span style="font-size: small;"&gt;&lt;span class="Apple-style-span" style="font-size: 13px;"&gt;&lt;b&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;b&gt;&lt;i&gt;&lt;span style="font-size: 10pt;"&gt;3 &lt;span style="color: red;"&gt;– sept. 21&lt;/span&gt;&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;b&gt;&lt;span style="font-size: 10pt;"&gt; –&lt;/span&gt;&lt;/b&gt;&lt;span style="font-size: 10pt;"&gt; the art of the manifesto II&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in;"&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; margin-left: .5in; margin-right: 0in; margin-top: 0in;"&gt;&lt;span style="font-family: Wingdings; font-size: 10pt;"&gt;­&lt;/span&gt;&lt;span style="font-size: 10pt;"&gt; Martin Puchner, &lt;i style="mso-bidi-font-style: normal;"&gt;Poetry of the Revolution: Marx, Manifestos, and the Avant-Gardes&lt;/i&gt;, (Princeton: Princeton U Press, 2005), pp. 107-195. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; margin-left: .5in; margin-right: 0in; margin-top: 0in;"&gt;&lt;span style="font-family: Wingdings; font-size: 10pt;"&gt;­&lt;/span&gt;&lt;span style="font-size: 10pt;"&gt;Valentine de Saint Pont, “Futurist Manifesto of Lust” (1913)&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; margin-left: .5in; margin-right: 0in; margin-top: 0in;"&gt;&lt;span style="font-family: Wingdings; font-size: 10pt;"&gt;­&lt;/span&gt;&lt;span style="font-size: 10pt;"&gt; &lt;span lang="FR"&gt;Volt, &lt;/span&gt;&lt;/span&gt;&lt;span style="font-size: 10pt;"&gt;“Futurist Manifesto of Women’s Fashion” (1919)&lt;/span&gt;&lt;span lang="FR" style="font-size: 10pt;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; margin-left: .5in; margin-right: 0in; margin-top: 0in;"&gt;&lt;span style="font-family: Wingdings; font-size: 10pt;"&gt;­&lt;/span&gt;&lt;span lang="FR" style="font-size: 10pt;"&gt; Wyndham Lewis, Ezra Pound, et al. &lt;/span&gt;&lt;span style="font-size: 10pt;"&gt;“Vorticist Manifestos” from &lt;u&gt;Blast&lt;/u&gt; &lt;i&gt;[1914] &lt;/i&gt;available at &lt;/span&gt;&lt;span style="font-size: 10pt;"&gt;&lt;a href="http://www.davidson.edu/academic/english/Little_Magazines/Blast/manifesto.html"&gt;http://www.davidson.edu/academic/english/Little_Magazines/Blast/manifesto.html&lt;/a&gt;&lt;/span&gt;&lt;span style="font-size: 10pt;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; margin-left: .5in; margin-right: 0in; margin-top: 0in;"&gt;&lt;span style="font-family: Wingdings; font-size: 10pt;"&gt;­&lt;/span&gt;&lt;span style="font-size: 10pt;"&gt;Tristan Tzara, “The Manifesto of Mr. Antipyrine” &lt;i style="mso-bidi-font-style: normal;"&gt;[1916]&lt;/i&gt; available at &lt;a href="http://www.peak.org/~dadaist/English/Graphics/mr_antipyrine.html"&gt;http://www.peak.org/~dadaist/English/Graphics/mr_antipyrine.html&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; margin-left: .5in; margin-right: 0in; margin-top: 0in;"&gt;&lt;span style="font-family: Wingdings; font-size: 10pt;"&gt;­&lt;/span&gt;&lt;span style="font-size: 10pt;"&gt; Andre Breton, “The Manifesto of Surrealism” &lt;i&gt;[1924]&lt;/i&gt; available at &lt;a href="http://www.tcf.ua.edu/Classes/Jbutler/T340/F98/SurrealistManifesto.htm"&gt;http://www.tcf.ua.edu/Classes/Jbutler/T340/F98/SurrealistManifesto.htm&lt;/a&gt; &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; margin-left: .5in; margin-right: 0in; margin-top: 0in;"&gt;&lt;span style="font-family: Wingdings; font-size: 10pt;"&gt;­&lt;/span&gt;&lt;span lang="FR" style="font-size: 10pt;"&gt; Louis Aragon et al., “&lt;span style="color: black;"&gt;A Surrealist Manifesto” &lt;i&gt;[1925] &lt;/i&gt;available at &lt;a href="http://www.fordham.edu/halsall/mod/1925surrealism.html"&gt;http://www.fordham.edu/halsall/mod/1925surrealism.html&lt;/a&gt; &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; margin-left: .5in; margin-right: 0in; margin-top: 0in;"&gt;&lt;span style="font-family: Wingdings; font-size: 10pt;"&gt;­&lt;/span&gt;&lt;span style="font-size: 10pt;"&gt; Oswald de Andrade, “Manifesto da Poesia Pau Brasil” &lt;i style="mso-bidi-font-style: normal;"&gt;[1924]&lt;/i&gt; available in Portuguese at &lt;/span&gt;&lt;span style="font-size: 10pt;"&gt;&lt;a href="http://www.antropofagia.com.br/antropofagia/pt/man_paubrasil.html"&gt;http://www.antropofagia.com.br/antropofagia/pt/man_paubrasil.html&lt;/a&gt;; available in English at &lt;a href="http://blindelephant.blogspot.com/2006/03/ver-com-ohlos-livres.html"&gt;http://blindelephant.blogspot.com/2006/03/ver-com-ohlos-livres.html&lt;/a&gt;.&lt;/span&gt;&lt;span lang="FR" style="color: black; font-size: 10pt;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; margin-left: .5in; margin-right: 0in; margin-top: 0in;"&gt;&lt;span style="font-family: Wingdings; font-size: 10pt;"&gt;­&lt;/span&gt;&lt;span style="font-size: 10pt;"&gt; &lt;span lang="FR" style="color: black;"&gt;Oswald de Andrade, “Anthropophagist Manifesto” &lt;i&gt;[1928]&lt;/i&gt; available in Portuguese at &lt;/span&gt;&lt;/span&gt;&lt;span style="font-size: 10pt;"&gt;&lt;a href="http://www.antropofagia.com.br/antropofagia/pt/man_antropo.html"&gt;http://www.antropofagia.com.br/antropofagia/pt/man_antropo.html&lt;/a&gt;; available in English at &lt;a href="http://www.feastofhateandfear.com/archives/andrade.html"&gt;http://www.feastofhateandfear.com/archives/andrade.html&lt;/a&gt;.&lt;/span&gt;&lt;span lang="FR" style="color: black; font-size: 10pt;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; margin-left: .5in; margin-right: 0in; margin-top: 0in;"&gt;&lt;span style="font-family: Wingdings; font-size: 10pt;"&gt;­&lt;/span&gt;&lt;span lang="FR" style="font-size: 10pt;"&gt; Guy Debord et al., “Situationist Manifesto” &lt;i&gt;[1960]&lt;/i&gt; available at&amp;nbsp; &lt;/span&gt;&lt;a href="http://www.perdigiorno.net/manifesto/situationistmanifesto1960.pdf"&gt;http://www.perdigiorno.net/manifesto/situationistmanifesto1960.pdf&lt;/a&gt;&lt;span lang="FR" style="font-size: 10pt;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; margin-left: .5in; margin-right: 0in; margin-top: 0in;"&gt;&lt;span style="font-family: Wingdings; font-size: 10pt;"&gt;­&lt;/span&gt;&lt;span style="font-size: 10pt;"&gt; George Maciunas, “Fluxus Manifesto” &lt;i&gt;&amp;nbsp;[1963] &lt;/i&gt;available at &lt;a href="http://www.artnotart.com/fluxus/gmaciunas-manifesto.html"&gt;http://www.artnotart.com/fluxus/gmaciunas-manifesto.html&lt;/a&gt; &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in;"&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; margin-left: .5in; margin-right: 0in; margin-top: 0in;"&gt;&lt;span style="font-size: 10pt;"&gt;--assignment: find a manifesto published during the past 30 years and come prepared to briefly present it&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; margin-left: .5in; margin-right: 0in; margin-top: 0in;"&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in;"&gt;&lt;span style="font-size: small;"&gt;&lt;span class="Apple-style-span" style="font-size: 13px;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 10pt;"&gt;For an overall survey, you may consult &lt;/span&gt;&lt;span style="font-size: 10pt;"&gt;&lt;a href="http://en.wikipedia.org/wiki/Art_manifesto"&gt;http://en.wikipedia.org/wiki/Art_manifesto&lt;/a&gt;. A comprehensive electronic catalogue of manifestos is found at &lt;a href="http://www.391.org/manifestos/"&gt;http://www.391.org/manifestos/&lt;/a&gt;.&lt;/span&gt;&lt;span style="font-size: 10pt;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in;"&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in;"&gt;&lt;span style="font-size: small;"&gt;&lt;span class="Apple-style-span" style="font-size: 13px;"&gt;&lt;b&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;b&gt;&lt;i&gt;&lt;span style="font-size: 10pt;"&gt;4&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;b&gt;&lt;i&gt;&lt;span lang="IT" style="font-size: 10pt;"&gt; – &lt;span style="color: red;"&gt;sept. 28&lt;/span&gt; &lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;b&gt;&lt;span lang="IT" style="font-size: 10pt;"&gt;–&lt;/span&gt;&lt;/b&gt;&lt;span lang="IT" style="font-size: 10pt;"&gt; &lt;/span&gt;&lt;span style="font-size: 10pt;"&gt;futurist poetics and poetry&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; margin-left: .5in; margin-right: 0in; margin-top: 0in;"&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; margin-left: .5in; margin-right: 0in; margin-top: 0in;"&gt;&lt;span style="font-family: Wingdings; font-size: 10pt;"&gt;­&lt;/span&gt;&lt;span style="font-size: 10pt;"&gt; F. T. Marinetti, "Technical Manifesto of Futurist Literature" &lt;i&gt;[1912],&lt;/i&gt; "Geometric and Mechanical Splendor and the Numerical Sensibility" &lt;i&gt;[1914]&lt;/i&gt; and "Destruction of Syntax" Manifesto &lt;i&gt;[1913]&lt;/i&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; margin-left: .5in; margin-right: 0in; margin-top: 0in;"&gt;&lt;span style="font-family: Wingdings; font-size: 10pt;"&gt;­&lt;/span&gt;&lt;span style="font-size: 10pt;"&gt; V. Shklovsky, “The Resurrection of the Word” &lt;i&gt;[1914]&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; margin-left: .5in; margin-right: 0in; margin-top: 0in;"&gt;&lt;span style="font-family: Wingdings; font-size: 10pt;"&gt;­&lt;/span&gt;&lt;span style="font-size: 10pt;"&gt; A. Kruchenykh and V. Khlebnikov, “[The Word as Such],” “The Letter as Such,” and “Declaration of the Word as Such” &lt;i&gt;[1913/1930]&lt;/i&gt;, in Lawton and Eagle&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; margin-left: .5in; margin-right: 0in; margin-top: 0in;"&gt;&lt;span style="font-family: Wingdings; font-size: 10pt;"&gt;­&lt;/span&gt;&lt;span style="font-size: 10pt;"&gt; V. Khlebnikov, “The Trumpet of the Martians” &lt;i&gt;[1916]&lt;/i&gt;, in Lawton and Eagle&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; margin-left: .5in; margin-right: 0in; margin-top: 0in;"&gt;&lt;span style="font-family: Wingdings; font-size: 10pt;"&gt;­&lt;/span&gt;&lt;span style="font-size: 10pt;"&gt; Nikolai Aseev et al, “What Does Lef Fight for?”&amp;nbsp; &lt;i&gt;[1923]&lt;/i&gt;, in Lawton and Eagle&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; margin-left: .5in; margin-right: 0in; margin-top: 0in;"&gt;&lt;span style="font-family: Wingdings; font-size: 10pt;"&gt;­&lt;/span&gt;&lt;span style="font-size: 10pt;"&gt; Lef, “Whom Does Lef Wrangle With?”&amp;nbsp; &lt;i&gt;[1923]&lt;/i&gt;, in Lawton and Eagle&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; margin-left: .5in; margin-right: 0in; margin-top: 0in;"&gt;&lt;span style="font-family: Wingdings; font-size: 10pt;"&gt;­&lt;/span&gt;&lt;span style="font-size: 10pt;"&gt; Lef, “Whom Does Lef Warn?”&amp;nbsp; &lt;i&gt;[1923]&lt;/i&gt;, in Lawton and Eagle&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; margin-left: .5in; margin-right: 0in; margin-top: 0in;"&gt;&lt;span style="font-family: Wingdings; font-size: 10pt;"&gt;­&lt;/span&gt;&lt;span style="font-size: 10pt;"&gt; Sergei Tret’iakov, “Lef’s Tribune” &lt;i&gt;[1923]&lt;/i&gt;, in Lawton and Eagle&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; margin-left: .5in; margin-right: 0in; margin-top: 0in; tab-stops: .5in 1.0in 1.5in 2.0in 2.5in 3.0in 3.5in 4.0in 4.5in 5.0in 5.5in 6.0in;"&gt;&lt;span style="font-family: Wingdings; font-size: 10pt;"&gt;­&lt;/span&gt;&lt;span style="font-size: 10pt;"&gt;F. T. Marinetti, &lt;i&gt;Selected Poems and Related Prose&lt;/i&gt; inc. &lt;i style="mso-bidi-font-style: normal;"&gt;Zang Tumb Tumb [tba]&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; margin-left: .5in; margin-right: 0in; margin-top: 0in; tab-stops: .5in 1.0in 1.5in 2.0in 2.5in 3.0in 3.5in 4.0in 4.5in 5.0in 5.5in 6.0in;"&gt;&lt;span style="font-family: Wingdings; font-size: 10pt;"&gt;­&lt;/span&gt;&lt;span style="font-size: 10pt;"&gt;In &lt;i style="mso-bidi-font-style: normal;"&gt;Futurism – An Anthology&lt;/i&gt;: poems by Marinetti (&lt;i style="mso-bidi-font-style: normal;"&gt;Bombardment&lt;/i&gt;), Soffici (&lt;i style="mso-bidi-font-style: normal;"&gt;Café&lt;/i&gt;), Boccioni (&lt;i style="mso-bidi-font-style: normal;"&gt;High-Society Shoe + Urine&lt;/i&gt;), Carrà (&lt;i style="mso-bidi-font-style: normal;"&gt;A Medium’s Musings&lt;/i&gt;), Govoni (&lt;i style="mso-bidi-font-style: normal;"&gt;The Diver&lt;/i&gt;), Goretti (&lt;i style="mso-bidi-font-style: normal;"&gt;Petroleum Song&lt;/i&gt;)&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; margin-left: .5in; margin-right: 0in; margin-top: 0in; tab-stops: .5in 1.0in 1.5in 2.0in 2.5in 3.0in 3.5in 4.0in 4.5in 5.0in 5.5in 6.0in;"&gt;&lt;span style="font-family: Wingdings; font-size: 10pt;"&gt;­&lt;/span&gt;&lt;span style="font-size: 10pt;"&gt; Vladimir Mayakovsky, selected poetry in English translation available at &lt;/span&gt;&lt;span style="font-size: 10pt;"&gt;&lt;a href="http://www.marxists.org/subject/art/literature/mayakovsky/"&gt;http://www.marxists.org/subject/art/literature/mayakovsky/&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; margin-left: .5in; margin-right: 0in; margin-top: 0in; tab-stops: .5in 1.0in 1.5in 2.0in 2.5in 3.0in 3.5in 4.0in 4.5in 5.0in 5.5in 6.0in;"&gt;&lt;span style="font-size: 10pt;"&gt;&lt;a href="http://max.mmlc.northwestern.edu/~mdenner/Demo/poetpage/mayakovsky.html"&gt;http://max.mmlc.northwestern.edu/~mdenner/Demo/poetpage/mayakovsky.html&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; margin-left: .5in; margin-right: 0in; margin-top: 0in; tab-stops: .5in 1.0in 1.5in 2.0in 2.5in 3.0in 3.5in 4.0in 4.5in 5.0in 5.5in 6.0in;"&gt;&lt;span style="font-family: Wingdings; font-size: 10pt;"&gt;­&lt;/span&gt;&lt;span style="font-size: 10pt;"&gt;Roman Jakobson, “Futuristic verses” &lt;i style="mso-bidi-font-style: normal;"&gt;[1914]&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; margin-left: .5in; margin-right: 0in; margin-top: 0in; tab-stops: .5in 1.0in 1.5in 2.0in 2.5in 3.0in 3.5in 4.0in 4.5in 5.0in 5.5in 6.0in;"&gt;&lt;span style="font-family: Wingdings; font-size: 10pt;"&gt;­&lt;/span&gt;&lt;span style="font-size: 10pt;"&gt;Manuel Maples Arce, &lt;i style="mso-bidi-font-style: normal;"&gt;Metropolis&lt;/i&gt;, trans. John Dos Passos &lt;i style="mso-bidi-font-style: normal;"&gt;[1929]&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in;"&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in;"&gt;&lt;span style="font-size: small;"&gt;&lt;span class="Apple-style-span" style="font-size: 13px;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 10pt;"&gt;For a sampling of futurist styles of performance of poetic texts, listen to some of the text and sound files at &lt;/span&gt;&lt;span style="font-size: 10pt;"&gt;&lt;a href="http://www.ubu.com/sound/marinetti.html"&gt;http://www.ubu.com/sound/marinetti.html&lt;/a&gt;; &lt;a href="http://www.ubu.com/sound/depero.html"&gt;http://www.ubu.com/sound/depero.html&lt;/a&gt;; &lt;a href="http://www.ubu.com/sound/russian_futurists.html"&gt;http://www.ubu.com/sound/russian_futurists.html&lt;/a&gt;. On the Ubu web site, check out in particular Marinetti, Chlebnikov, Ball, Krucenych, Maiakovsky, Tzara.&lt;/span&gt;&lt;span style="font-size: 10pt;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in;"&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in;"&gt;&lt;span style="font-size: small;"&gt;&lt;span class="Apple-style-span" style="font-size: 13px;"&gt;&lt;b&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;b&gt;&lt;i style="mso-bidi-font-style: normal;"&gt;&lt;span style="font-size: 10pt;"&gt;5 – &lt;span style="color: red;"&gt;oct. 5 &lt;/span&gt;&lt;span style="color: black;"&gt;– &lt;/span&gt;&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;span style="color: black; font-size: 10pt;"&gt;the futurist book :: the futurist magazine&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in;"&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; margin-left: .5in; margin-right: 0in; margin-top: 0in;"&gt;&lt;span style="font-family: Wingdings; font-size: 10pt;"&gt;­&lt;/span&gt;&lt;span style="font-size: 10pt;"&gt;Marjorie Perloff, “The Word Set Free,” pp. 117-160 in &lt;i style="mso-bidi-font-style: normal;"&gt;The Futurist Moment&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; margin-left: .5in; margin-right: 0in; margin-top: 0in;"&gt;&lt;span style="font-family: Wingdings; font-size: 10pt;"&gt;­&lt;/span&gt;&lt;span style="font-size: 10pt;"&gt; F. T. Marinetti, &lt;i style="mso-bidi-font-style: normal;"&gt;Les Mots en liberté futuristes&lt;/i&gt; &lt;i style="mso-bidi-font-style: normal;"&gt;[1919]&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; margin-left: .5in; margin-right: 0in; margin-top: 0in; tab-stops: .5in 1.0in 1.5in 2.0in 2.5in 3.0in 3.5in 4.0in 4.5in 5.0in 5.5in 6.0in;"&gt;&lt;span style="font-family: Wingdings; font-size: 10pt;"&gt;­&lt;/span&gt;&lt;span style="font-size: 10pt;"&gt; Vladimir Mayakovsky with El Lissitzky, &lt;i style="mso-bidi-font-style: normal;"&gt;For the Voice [1923]&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; margin-left: .5in; margin-right: 0in; margin-top: 0in;"&gt;&lt;span style="font-family: Wingdings; font-size: 10pt;"&gt;­&lt;/span&gt;&lt;span style="font-size: 10pt;"&gt;online editions of &lt;i style="mso-bidi-font-style: normal;"&gt;La Balza&lt;/i&gt;, &lt;i style="mso-bidi-font-style: normal;"&gt;Lacerba&lt;/i&gt;, &lt;i style="mso-bidi-font-style: normal;"&gt;Dinamo&lt;/i&gt;, &lt;i style="mso-bidi-font-style: normal;"&gt;Dinamo futurista&lt;/i&gt;, &lt;i style="mso-bidi-font-style: normal;"&gt;Poesia&lt;/i&gt;, &lt;i style="mso-bidi-font-style: normal;"&gt;Sant’Elia&lt;/i&gt;, &lt;i style="mso-bidi-font-style: normal;"&gt;Vela Latina&lt;/i&gt; available at &lt;/span&gt;&lt;span style="font-size: 10pt;"&gt;&lt;a href="http://circe.lett.unitn.it/"&gt;http://circe.lett.unitn.it/&lt;/a&gt;&lt;/span&gt;&lt;i style="mso-bidi-font-style: normal;"&gt;&lt;span style="font-size: 10pt;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; margin-left: .5in; margin-right: 0in; margin-top: 0in;"&gt;&lt;span style="font-family: Wingdings; font-size: 10pt;"&gt;­&lt;/span&gt;&lt;span style="font-size: 10pt;"&gt;online exhibition of futurist publications by Kunsthistorisches Institut in Florence available at &lt;/span&gt;&lt;span style="font-size: 10pt;"&gt;&lt;a href="http://expo.khi.fi.it/gallery/futurism/greeting/view?set_language=en"&gt;http://expo.khi.fi.it/gallery/futurism/greeting/view?set_language=en&lt;/a&gt;&lt;/span&gt;&lt;span style="font-size: 10pt;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; margin-left: .5in; margin-right: 0in; margin-top: 0in;"&gt;&lt;span style="font-family: Wingdings; font-size: 10pt;"&gt;­&lt;/span&gt;&lt;span style="font-size: 10pt;"&gt;Maurizio Scudiero’s web essay on the italian futurist book &lt;/span&gt;&lt;span style="font-size: 10pt;"&gt;&lt;a href="http://colophon.com/gallery/futurism/index.html"&gt;http://colophon.com/gallery/futurism/index.html&lt;/a&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-family: Wingdings; font-size: 10pt;"&gt;­&lt;/span&gt;&lt;span style="font-size: 10pt;"&gt;Arengario online exhibition of futurist publications is available at &lt;/span&gt;&lt;span style="font-size: 10pt;"&gt;&lt;a href="http://www.arengario.it/futurismo/futuris01.htm"&gt;http://www.arengario.it/futurismo/futuris01.htm&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; margin-left: .5in; margin-right: 0in; margin-top: 0in;"&gt;&lt;span style="font-family: Wingdings; font-size: 10pt;"&gt;­&lt;/span&gt;&lt;span style="font-size: 10pt;"&gt;Richard Minsky’s web essay on the Russian futurist book &lt;/span&gt;&lt;span style="font-size: 10pt;"&gt;&lt;a href="http://colophon.com/gallery/minsky/futurist.htm"&gt;http://colophon.com/gallery/minsky/futurist.htm&lt;/a&gt;&lt;/span&gt;&lt;span style="font-size: 10pt;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in;"&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in;"&gt;&lt;span style="font-size: small;"&gt;&lt;span class="Apple-style-span" style="font-size: 13px;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 10pt;"&gt;For an introductory survey of the sorts of typographical solutions characteristic of the Futurist books, see the Reed College Special Collections site &lt;/span&gt;&lt;span style="font-size: 10pt;"&gt;&lt;a href="http://cdm.reed.edu/cdm4/artbooks/browse_books.php"&gt;http://cdm.reed.edu/cdm4/artbooks/browse_books.php&lt;/a&gt;; for some additional examples see &lt;a href="http://www.flickr.com/photos/migueloks/sets/72157612498526392/"&gt;http://www.flickr.com/photos/migueloks/sets/72157612498526392/&lt;/a&gt;. I will bring into class numerous examples of futurist magazines and books.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in;"&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/26283125-7473500007586260721?l=futurismseminar.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://futurismseminar.blogspot.com/feeds/7473500007586260721/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=26283125&amp;postID=7473500007586260721' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/26283125/posts/default/7473500007586260721'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/26283125/posts/default/7473500007586260721'/><link rel='alternate' type='text/html' href='http://futurismseminar.blogspot.com/2009/09/fall-2009-harvard-futurisms-seminar.html' title='Fall 2009 Harvard Futurisms seminar'/><author><name>Jeffrey Schnapp</name><uri>http://www.blogger.com/profile/13603298629039648810</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-26283125.post-114685454855625660</id><published>2006-05-05T11:40:00.000-07:00</published><updated>2006-05-05T11:42:28.563-07:00</updated><title type='text'>Website on Futurism and Fashion</title><content type='html'>I just ran across a website that has some interesting materials on &lt;span style="color: rgb(255, 0, 0);"&gt;Futurism and fashion&lt;/span&gt; that might be worth a look. &lt;a href="http://web.tiscali.it/pierantozzisilvia/ita.costume.htm"&gt;Click here&lt;/a&gt; and you will be taken to it.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/26283125-114685454855625660?l=futurismseminar.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://futurismseminar.blogspot.com/feeds/114685454855625660/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=26283125&amp;postID=114685454855625660' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/26283125/posts/default/114685454855625660'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/26283125/posts/default/114685454855625660'/><link rel='alternate' type='text/html' href='http://futurismseminar.blogspot.com/2006/05/website-on-futurism-and-fashion.html' title='Website on Futurism and Fashion'/><author><name>Jeffrey Schnapp</name><uri>http://www.blogger.com/profile/13603298629039648810</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-26283125.post-114616831795305456</id><published>2006-04-27T13:01:00.000-07:00</published><updated>2006-04-27T13:05:17.960-07:00</updated><title type='text'>Course readings for May Day</title><content type='html'>I'd suggest the following (from Marinetti, &lt;span style="font-style: italic;"&gt;Selected Poems and Prose&lt;/span&gt;):  &lt;span style="font-style: italic; color: rgb(204, 0, 0);"&gt;Zang Toomb Toomb&lt;/span&gt; and &lt;span style="font-style: italic;"&gt;Futurist Words in Freedom&lt;/span&gt;. This amounts to pp. 55-123. I will send around some additional readings in PDFs later today: a section from Soffici's &lt;span style="font-style: italic; color: rgb(204, 0, 0);"&gt;BIF&amp;amp;ZF+18&lt;/span&gt;.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/26283125-114616831795305456?l=futurismseminar.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://futurismseminar.blogspot.com/feeds/114616831795305456/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=26283125&amp;postID=114616831795305456' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/26283125/posts/default/114616831795305456'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/26283125/posts/default/114616831795305456'/><link rel='alternate' type='text/html' href='http://futurismseminar.blogspot.com/2006/04/course-readings-for-may-day.html' title='Course readings for May Day'/><author><name>Jeffrey Schnapp</name><uri>http://www.blogger.com/profile/13603298629039648810</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-26283125.post-114598706987847654</id><published>2006-04-25T10:41:00.000-07:00</published><updated>2006-04-25T10:44:29.886-07:00</updated><title type='text'>Marinetti LIBRONI</title><content type='html'>A fully searchable website containing Marinetti's press scrapbooks is available through &lt;a href="http://inky.library.yale.edu/blrschwk.htm"&gt;Yale Beineicke Library&lt;/a&gt;. These represent an excellent source for doing research on Marinetti's polemics and speaking tours, particularly during the 1930s.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/26283125-114598706987847654?l=futurismseminar.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://futurismseminar.blogspot.com/feeds/114598706987847654/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=26283125&amp;postID=114598706987847654' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/26283125/posts/default/114598706987847654'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/26283125/posts/default/114598706987847654'/><link rel='alternate' type='text/html' href='http://futurismseminar.blogspot.com/2006/04/marinetti-libroni.html' title='Marinetti LIBRONI'/><author><name>Jeffrey Schnapp</name><uri>http://www.blogger.com/profile/13603298629039648810</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-26283125.post-114563867217728728</id><published>2006-04-21T09:49:00.000-07:00</published><updated>2006-04-21T09:57:52.186-07:00</updated><title type='text'>Additional URLs for texts in Italian</title><content type='html'>Here are some websites that have collections of Futurist materials in the original:&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.homolaicus.com/arte/futurism/archivio.htm"&gt;www.homolaicus.com&lt;/a&gt;&lt;br /&gt;&lt;a href="http://membres.lycos.fr/toasaproject/futurismo.php"&gt;toasa project&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.artemotore.com/manifesti_futuristi.html"&gt;artemotore&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;A reliable source for information about the movement in all eras of its unfolding is&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.arengario.it/mostre/futurism/frame/0futufrm.htm"&gt;L'Arengario - Studio Bibliografico&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;It's a bit quirky in its organization, but it includes a very wide array of rare sources with cover images and graphics.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/26283125-114563867217728728?l=futurismseminar.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://futurismseminar.blogspot.com/feeds/114563867217728728/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=26283125&amp;postID=114563867217728728' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/26283125/posts/default/114563867217728728'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/26283125/posts/default/114563867217728728'/><link rel='alternate' type='text/html' href='http://futurismseminar.blogspot.com/2006/04/additional-urls-for-texts-in-italian.html' title='Additional URLs for texts in Italian'/><author><name>Jeffrey Schnapp</name><uri>http://www.blogger.com/profile/13603298629039648810</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-26283125.post-114529495957399867</id><published>2006-04-17T10:18:00.000-07:00</published><updated>2006-04-17T10:29:19.580-07:00</updated><title type='text'>Sound resources</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://photos1.blogger.com/blogger/6704/904/1600/ra_icon_new.jpg"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer;" src="http://photos1.blogger.com/blogger/6704/904/320/ra_icon_new.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;I highly recommend having a look at &lt;span style="color: rgb(255, 0, 0);"&gt;UBU WEB&lt;/span&gt; (&lt;span style="font-style: italic;"&gt;&lt;a href="http://www.ubu.com"&gt;http://www.ubu.com&lt;/a&gt;)&lt;/span&gt; for a wide range of materials having to do with experimental art and poetry. In particular you might want to check out the sound archive located at &lt;a href="http://www.ubu.com/sound/"&gt;&lt;span style="font-style: italic;"&gt;http://www.ubu.com/sound/&lt;/span&gt;&lt;/a&gt;, which includes a section of historical recordings related to &lt;span style="color: rgb(255, 0, 0);"&gt;Marinetti&lt;/span&gt;. Very rich documentation also of Dada and Fluxus.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/26283125-114529495957399867?l=futurismseminar.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://futurismseminar.blogspot.com/feeds/114529495957399867/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=26283125&amp;postID=114529495957399867' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/26283125/posts/default/114529495957399867'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/26283125/posts/default/114529495957399867'/><link rel='alternate' type='text/html' href='http://futurismseminar.blogspot.com/2006/04/sound-resources.html' title='Sound resources'/><author><name>Jeffrey Schnapp</name><uri>http://www.blogger.com/profile/13603298629039648810</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-26283125.post-114525289739116167</id><published>2006-04-16T22:46:00.000-07:00</published><updated>2006-04-17T13:00:56.290-07:00</updated><title type='text'>Seminar blog opened!</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://photos1.blogger.com/blogger/6704/904/1600/Boccioni%20Forme%20uniche%20di%20continuita%201913.jpg"&gt;&lt;img style="margin: 0pt 0pt 10px 10px; float: right; cursor: pointer; width: 80px; height: 141px;" src="http://photos1.blogger.com/blogger/6704/904/320/Boccioni%20Forme%20uniche%20di%20continuita%201913.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;Greetings all: I have created a blog that we can use for posting thoughts, comments, readings, and links during the quarter. Feel free to use it as a course bulletin board. J&lt;br /&gt;&lt;br /&gt;&lt;span style="color: rgb(255, 204, 0);"&gt;PLEASE NOTE CLASSROOM CHANGE TO 260-007.&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/26283125-114525289739116167?l=futurismseminar.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://futurismseminar.blogspot.com/feeds/114525289739116167/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=26283125&amp;postID=114525289739116167' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/26283125/posts/default/114525289739116167'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/26283125/posts/default/114525289739116167'/><link rel='alternate' type='text/html' href='http://futurismseminar.blogspot.com/2006/04/seminar-blog-opened.html' title='Seminar blog opened!'/><author><name>Jeffrey Schnapp</name><uri>http://www.blogger.com/profile/13603298629039648810</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry></feed>
